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Double Dutch symbols, emblems, double-entendre in Dutch genre paintings
8th April 2025
Presented by Lynne Gibson

Profile

Now working as a freelance lecturer in the History of Art, Lynne originally trained as a fine artist and has taught painting, drawing and printmaking in higher and adult education. She lectured as an art historian for the universities of Sussex and Bristol where she introduced 'Understanding Art' to the Lifelong Learning programme and residential summer schools. Gives talks, lectures and guided tours to a wide range of organisations and institutions including ARCA colleges, the National Trust, Art museums and Art societies. She has worked as a professional artist specialising in oil painting and etching. Solo and group shows have included the RWA, British Museum and the Barbican. All titles available as lectures or study days.

Synopsis

The merchants of seventeenth century Holland filled their town houses with paintings. A favourite subject was scenes of everyday life: depicting behaviour both good … and bad. 

But these upright Calvinist citizens rejected Catholic Baroque melodrama. They wanted nothing to alarm the in-laws or corrupt the children. Innocent objects hint at adult themes: plucked chickens and lap dogs, lutes and virginals, oysters and artichokes, foot warmers and bed warmers. This is a world of subtle hints and double-entendre, spoken through a language of symbols, emblems and motifs. 

Join me to explore the hidden meanings in everyday scenes and become a fluent reader of ‘Double Dutch’

Contact

I'm always looking for new and exciting opportunities. Let's connect.

123-456-7890 

A member of The Arts Society
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